
Opera News Cover Story: “James Conlon: The Maestro and California Dreaming at LA Opera”
The July 2019 issue of Opera News will feature LA Opera Music Director James Conlon in a piece titled “Maestro Moderne” by Adam {…}
The World Premiere of Julia Adolphe’s Crown of Hummingbirds will be conducted by James Conlon on Thursday, May 25, at the May Festival. Also {…}
The reviews are in for LA Opera’s presentation of Debussy’s Pelléas et Mélisande, and James Conlon “love for the score certainly {…}
“Attracting an audience that loves Debussy but doesn’t necessarily see a lot of opera is one reason Conlon created Discovering Debussy, a {…}
“Discovering Debussy,” a Los Angeles citywide festival curated by Conlon to raise interest and provoke discussion about Debussy’s {…}
The Dallas Morning News says, “Conlon led a performance gripping start to finish, as attentive to the music’s hushed insinuations as to its {…}
On October 7, Delos releases “Shapeshifter: Music of Erwin Schulhoff” featuring James Conlon leading the RVC Ensemble in Schulhoff’s {…}
Tomorrow is the opening of the LA Opera’s production of Aida, and the LA Opera is thrilled to be able to bring back a crowd favorite: James {…}
The next Baltimore Symphony Orchestra season at their Meyerhoff and Strathmore Symphony Halls has just been announced, with James Conlon conducting {…}
The next LA Opera season at Dorothy Chandler Pavilion has just been announced, with Music Director James Conlon—who recently extended his contract {…}
In honor of this year’s Holocaust Remembrance Day, James Conlon reflects on his Recovered Voices mini-series, which focused on the Nazi {…}