Opera News Cover Story: “James Conlon: The Maestro and California Dreaming at LA Opera”
The July 2019 issue of Opera News will feature LA Opera Music Director James Conlon in a piece titled “Maestro Moderne” by Adam {…}
Alex Ross writes an article discussing composers whose music was suppressed by the Nazi regime, mentioning Conlon’s efforts to recover the {…}
Ahead of his performances with the CSO April 11-13, Kyle MacMillan explores James’ long-standing relationship with the Chicago Symphony {…}
Indulge Magazine covers LA Opera’s premiere of William Grant Still’s Highway 1 USA and Alexander Zemlinsky’s Der Zwerg (The {…}
Mark Swed reviews Conlon’s revival of Recovered voices featuring the works of William Grant Still and Alexander Zemlinsky. Read the full piece {…}
Since its inception in 2007, Los Angeles Opera’s Recovered Voices project has focused on music that was suppressed by the Nazis and/or created by {…}
American conductor James Conlon has been awarded Austria’s Cross of Honor for Science and Art (Österreichische Ehrenkreuz für Wissenschaft und {…}
The reviews for LA Opera’s presentation of Mozart’s Don Giovanni are in, and James Conlon’s “dynamic conducting was a {…}
The World Premiere of Julia Adolphe’s Crown of Hummingbirds will be conducted by James Conlon on Thursday, May 25, at the May Festival. Also {…}
The reviews are in for LA Opera’s presentation of Debussy’s Pelléas et Mélisande, and James Conlon “love for the score certainly {…}
“Attracting an audience that loves Debussy but doesn’t necessarily see a lot of opera is one reason Conlon created Discovering Debussy, a {…}