James Conlon Named Commendatore by the President of the Italian Republic
James Conlon has been named Commendatore Ordine al Merito della Repubblica Italiana (Commander of the Order of Merit of the Italian Republic) by the {…}
Opera News Cover Story: “James Conlon: The Maestro and California Dreaming at LA Opera”
The July 2019 issue of Opera News will feature LA Opera Music Director James Conlon in a piece titled “Maestro Moderne” by Adam {…}
Il Messaggero Interviews James Conlon
L’appuntamento mattutino con il Titano di Mahler… L’ha diretto lui. La magia della Creazione di Haydn in salotto… è opera sua. «Non {…}
SFCV: James Conlon Was Born to Lead
In anticipation of his performances of La Traviata at LA Opera (opening June 1), San Francisco Classical Voice talks to James Conlon about his {…}
RAI National Symphony Orchestra Announces 2019-20 Season
James Conlon returns for his fourth season as Principal Conductor of the RAI National Symphony Orchestra in Torino, Italy to lead the orchestra in a {…}
La Stampa: Celebrate great classical music ahead of Easter at the Regio [Theater] and [Toscanini] Auditorium
This excerpt is translated from Italian. To read the full article (in Italian) click here. Celebrate great classical music ahead of Easter {…}
RAI Orchestra: Conlon celebrates Easter with Wagner and Rimsky-Korsakov
From Le Salon Musical: “The concert that the Rai National Symphony Orchestra and its Principal Conductor James Conlon are {…}
Live-Stream: James Conlon conducts Gürzenich-Orchester Köln April 9
Live-Stream Alert: April 9, at 20:00 CEST Thirty years after his first concert with the Gürzenich Orchestra, former Gürzenich Music Director James {…}
Listen to Behind the Curtain: Actor and Opera Director Christopher Waltz with James Conlon
James Conlon and opera super-fan, actor and opera stage director Christoph Waltz chat about Waltz’s relationship to opera, his experience {…}
Reviews are in for James Conlon conducting LA Opera’s “The Clemency of Titus”
“Conlon launched into the overture, which is first-rate Mozart, with a shot of adrenaline and fizz that propelled him and the L.A. Opera Orchestra {…}
James Conlon on “The Clemency of Titus”
James writes about Mozart’s penultimate opera and the use of forgiveness as a theme in his final works. Read here.