“His masterful touch was evident from the outset in the musical and emotional intensity achieved in the opening unison—an expansive introductory melody of wide range and striking contours. Expressiveness and certainty flowed naturally from the orchestra, revealing a clear sense of unity between conductor and musicians.” – La Nacion
“…Conlon maintained absolute control at every moment. In ways that remain something of a mystery—known only to great conductors—even at the densest points one could clearly perceive the timbral details, the polyrhythms, and the most delicate contrapuntal lines.” – La Nacion
“Conlon held the bow with ample, unsentimental grace, understanding that the lyrical depth of this music demands restraint rather than rhetoric.” – Clarín
“…Conlon—who introduced the concert in fluent Spanish, a courtesy that is always appreciated—is the ideal maestro to work with orchestras such as the Philharmonic, which thrives on challenges of this caliber.” – Sobreviviente en la Ciudad
“Conlon balanced the orchestral planes admirably…he generated genuine tensions, never merely superficial ones, probing the darker undercurrents of the music as deeply as its ostensibly triumphant brilliance.” – Sobreviviente en la Ciudad
