James writes about Mozart’s penultimate opera and the use of forgiveness as a theme in his final works. Read here.
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Reviews are in for James Conlon conducting LA Opera’s “The Clemency of Titus”
“Conlon launched into the overture, which is first-rate Mozart, with a shot of adrenaline and fizz that propelled him and the L.A. Opera Orchestra {…}
The Clemency of Titus at LA Opera March 02-24
James Conlon is back in Los Angeles to conduct Mozart’s The Clemency of Titus in a new production of this rarely performed final {…}